*We Live Here* is a documentary by Zhanana Kurmasheva that examines the lasting impact of a former Soviet nuclear test site in Kazakhstan. Premiering at CPH:DOX, it highlights intergenerational struggles related to radiation exposure and advocates for awareness and action. The film represents a key moment for the Kazakh filmmaking community in gaining international recognition for critical narratives.
The documentary film We Live Here, directed by Zhanana Kurmasheva, delves into the enduring legacy of a former Soviet nuclear test site in Kazakhstan. The film is set to premiere at CPH:DOX, the Copenhagen International Documentary Film Festival, which runs until March 30. This poignant work focuses on the intergenerational impact of nuclear testing at the Semipalatinsk site, where numerous families face the ramifications of radiation exposure.
The film illustrates how the decades-long nuclear tests, conducted from 1949 to 1991, have left behind a significant radioactive contamination issue. Kurmasheva aims to shed light on the emotional and societal scars that accompany this dark chapter in history, as exemplified through the experiences of a couple searching for answers regarding their daughter’s illness linked to exposure.
Kurmasheva acknowledges that many films addressing this topic exist; however, her personal connection prompts her to present a narrative that pushes for awareness and action. She reflects on the emotional weight of addressing this painful history, stating that it is crucial to understand its implications and to foster community dialogue rather than suppress feelings surrounding the issue.
Upon visiting the site, Kurmasheva expresses the profound sense of isolation she felt, highlighting the absence of safety markers and signs that typically identify hazardous zones. This discovery prompted her to question not only the actions of the Soviet regime but also the contemporary indifference towards the affected individuals by their own government.
In this broader context, she emphasizes the dangerous trajectory humanity is on and the urgent need to acknowledge our role in ecological degradation. Kurmasheva believes that while humans risk their extinction, the Earth possesses a robust resilience that might outlast human conflict.
Producer Banu Ramazanova emphasizes that showcasing We Live Here at CPH:DOX is pivotal for the Kazakh filmmaking community. Documentaries in Central Asia have historically been relegated to television, with a lack of recognition as an art form. This premiere is perceived as a significant developmental milestone for the local industry.
As the film gains recognition, syndication efforts will target international audiences to validate and amplify the importance of this narrative abroad. Ramazanova notes that international acclaim is essential for making an impact back home, advocating for greater awareness of Central Asian issues.
Looking ahead, Kurmasheva and Ramazanova are developing a new documentary concerning mass consumerism, which focuses on the journey of a T-shirt from cotton production in Central Asia to disposal in Chile. This next project will continue to explore ecological themes and the global impact of consumer habits.
The title We Live Here, previously Atameken (meaning “My Sacred Land”), reflects the attachment locals feel to their radioactive homeland. Despite the risks, many individuals choose to remain due to their personal heritage and emotional ties to the land. Kurmasheva poignantly concludes that the attachment to place transcends the scars of history, reminding us of the singular Earth we share.
In summary, *We Live Here* explores the profound legacy of nuclear testing in Kazakhstan through a personal lens. Director Zhanana Kurmasheva and producer Banu Ramazanova offer a compelling narrative that highlights the emotional and environmental consequences of this history. The film serves both as a tribute to the resilience of the local population and a call to global consciousness about ecological and humanitarian implications, reflecting on the need for dialogue and understanding in addressing such critical issues.
Original Source: www.hollywoodreporter.com
