Iraq’s cultural events are seeing low public turnout despite government efforts to promote them. Factors such as historical associations with authority, political perceptions, and repetitive festival themes contribute to audience disengagement. Key suggestions include diversifying topics and improving outreach to increase attendance.
In spite of the Iraqi government’s initiatives to foster literature, art, and heritage, cultural events in Iraq are witnessing limited public participation, predominantly attracting specialists in the field. According to Ahmed Al-Aliawi, a spokesperson for the Ministry, various cultural events, including literary festivals, artistic showcases, and major awards like the Iraqi Creativity Award, are routinely organized by the ministry and its 22 departments.
Al-Aliawi remarked that although numerous events function autonomously, the ministry’s role is crucial in overseeing and supporting initiatives such as book fairs, poetry readings, and intellectual seminars. Poet Mohammed Al-Kaabi shared that historical associations between cultural activities and state authority have diminished their relevance to the wider public, which has affected attendance.
Al-Kaabi further explained that the growing number of cultural organizations contributes to public disengagement, as many perceive these events as politically motivated rather than culturally enriching. He emphasized that many attendees, particularly university students, fail to engage with cultural messages, being instead captivated by social media distractions.
Visual artist Mohammed Al-Mutairi noted that cultural activities often remain isolated within specific artistic communities, such as poets and theater enthusiasts focusing solely on their respective events. He mentioned that the International Book Fair uniquely succeeds in attracting a varied audience, including writers, artists, and students alike.
Theater artist Zaki Al-Jaber criticized the prevalent monotony in themes and formats among festivals, asserting that this drives down public interest. He pointed out that many attendees frequently leave venues for breaks, resulting in empty seats. Al-Jaber called for organizers to adopt a strategic approach that includes diverse topics and fresh perspectives to enhance wider audience appeal.
In summary, Iraq’s cultural events are marred by limited public engagement despite governmental support. Perceptions of political motivations, the isolation of cultural communities, and repetitive festival formats contribute to declining interest. Necessary changes include diversifying content and enhancing the outreach of cultural messages to foster broader participation.
Original Source: shafaq.com
